Breathtakingly difficult to perform and fabulous to watch, the duo once again proved themselves technically awesome with their symbiotic dialogue.
Peg Goldberg, Naples News (December 2007)
Then it was no-holds barred, edge-of-the-seat stuff (to quote a clearly impressed music-lover seated on my right), where all sorts of risks were taken. There were heart-in-mouth moments where it seemed the ensemble would perilously careen off its tracks, but no, the insistent rhythm maintained kept that fear in check. Blinding glissandi rained like thunderbolts hurled from Mount Olympus but there were also rapt moments where Micallef’s pianism evoked harp-like textures, which magically made one forget the orchestra if albeit momentarily.
Flying Inkpot, Chang Tou Liang (November 2007)
The 19th and 20th centuries come crashing in, summoning various trends and composers’ shades, with Bach’s genius always poking through. The young team of Jennifer Micallef and Glen Inanga... bounce through the work, the finger-work clean, the spirits high
The Times, (February, 2003)
A marvellous work…Whatever your CD priorities to date, this one surely has to fly straight to the top of your wants list…deftly concealed virtuosity...praise beyond measure.
Rob Cowan, Gramophone (February, 2003)
They make The Introduction and Allegro for harp, flute, clarinet and string quartet totally enchanting, their playing becoming ever more limpid as the textures become more (gliterringly) dense.
Paul Driver, The Sunday Times, Culture Magazine, (April 2002)
…a remarkable achievement…Rollicking, camp good fun
Paul Driver, Sunday Times (November, 2002)
..if their Ravel collection is anything to go by, it has certainly persuaded me to make a beeline to their next recital…an enterprising and enjoyable album…Micallef and Inanga…manage to create such atmospheric effects…striking successes…The programme concludes with a show-stopping La Valse…
Jeremy Nicholas, International Record Review (August, 2002)
Two-piano playing of sparkling vivacity and undoubted sensitivity from this young, prize-winning duo.
Andrew Achenbach, Soundbites, Gramophone, (February, 1998)